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Literature Text
sometimes when i take the wrong street
(which was still the right street six years ago
and simply home before that)
sometimes then
when i pass your blocked-off door
and boarded windows
(that seem to sit lower than they used to
but you wouldn't even know that i'm getting taller)
i think maybe you did win
because maybe being alone with time to forget is a better prize
than having to hide scars and tell things to people who rarely say 'well done'
and maybe it's like when you're a child and you close your eyes and make believe that everything's gone
except that you're fifty-four and barricading a house (not a home) but i bet it's almost as good
all i know is i was the child that closed my eyes and always heard you say "i'm here"
and now you don't want to be
but maybe you did win
because maybe
just maybe
having no-one to tell you that you're wrong feels just as good as being right
i say maybe
i say maybe because you know
sometimes i don't walk down that street
and sometimes i wear t shirts
and sometimes the people say 'well done'
i'm not a child now
and people tell me when i'm wrong (or when i'm right)
and i think that feels good
so maybe you didn't win
or maybe i just didn't lose
and that's better
like walking down a street where everything is at the height you expect
or being with people long enough that they don't have to be shocked at how tall you've grown
and you know what
if i think about it now
maybe sitting alone in your too-big house and your too-small head
doesn't feel like a prize to you either
good
it's not meant to
(which was still the right street six years ago
and simply home before that)
sometimes then
when i pass your blocked-off door
and boarded windows
(that seem to sit lower than they used to
but you wouldn't even know that i'm getting taller)
i think maybe you did win
because maybe being alone with time to forget is a better prize
than having to hide scars and tell things to people who rarely say 'well done'
and maybe it's like when you're a child and you close your eyes and make believe that everything's gone
except that you're fifty-four and barricading a house (not a home) but i bet it's almost as good
all i know is i was the child that closed my eyes and always heard you say "i'm here"
and now you don't want to be
but maybe you did win
because maybe
just maybe
having no-one to tell you that you're wrong feels just as good as being right
i say maybe
i say maybe because you know
sometimes i don't walk down that street
and sometimes i wear t shirts
and sometimes the people say 'well done'
i'm not a child now
and people tell me when i'm wrong (or when i'm right)
and i think that feels good
so maybe you didn't win
or maybe i just didn't lose
and that's better
like walking down a street where everything is at the height you expect
or being with people long enough that they don't have to be shocked at how tall you've grown
and you know what
if i think about it now
maybe sitting alone in your too-big house and your too-small head
doesn't feel like a prize to you either
good
it's not meant to
Literature
fragments.
You tell me that hearts don't work, that the sounds they make are just ghosts passing through. That bodies are pieces of everything everyone's lost slowly coming apart. Burning down childhood homes is a hobby of yours, and it's your plan to die that way, dancing with the flames. But oh, warrior of summers spent kissing too many girls with sharp teeth, put your lighter down. The night is a snow globe, and we are two figurines posed together as stars swirl around us. You can always burn yourself tomorrow. Be with me tonight, instead. Let the broken parts of me fit into the broken parts of you; I could be the piece you need to get your chest to
Literature
the 'd' word
when i was seven years old, my mother, tear-streaks
drying on her cheeks, fingered her wedding band
and told me, “love hurts, sweetie,
that’s how you know it’s a good love.”
two days later, my father came back home.
he was missing his wedding ring
and when he left again,
he left a handprint on my mother’s cheek
that she carried with her even after the bruise was gone.
i grew up without a father influence in my mother’s world
and without a mother influence in my dad’s.
neither of them got remarried.
they had found each other and that was enough.
they had found each other and that was too much.
i gre
Literature
Never mind
I guess it’s kind of funny, if you think about it. You always see in the movies – in the TV shows – people running and screaming and praying and stuff. That’s what Hollywood always thought it would be like. Some sort of ‘death cloud’ or something – or like an asteroid or something like that – that just happened: that just totally hit everybody by surprise.
People have known about it for months. It’s not like in the movies. The word ‘inevitability’ comes to mind: and hey, guess what? Nobody cares to run from the inevitable. It’s pretty stupid – isn’t it, if yo
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a dolphin on the door sign and a board across the door;
i don't say maybe any more
i don't say maybe any more
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Comments1
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Well done. I personally would have left out the last two lines, but if your intention was to communicate revenge rather than acceptance then they do very well.